According to historical records, Emperor Yongzheng once said that he particularly likes bright red and purple glass bottles. According to the analysis, the two colors at that time should be achieved by adding gold (a metal that has been melted into a granular form) in the glass formulation. From the Kangxi and Yongzheng porcelains, it can be proven that this technology was imported into China, and the red, pink and purple enamels used to decorate the porcelain were extracted from the red glass with “goldâ€.
It is generally believed that the imperial glass entered the recession in the late 18th century, and later there was no characteristic glassware production. However, a pair of imitation agate transparent glass cover cups collected by Finn challenged this claim. The quality of this agate color is very good, and the cover cup has a full-length Jiaqing system. Another Tongzhi transparent blue glass snuff bottle he has collected is a supplement to the imperial glass system that began during the reign of Emperor Kangxi. His collections are very diverse. From these collections, one can see the glimpse of Chinese civilization. Here is a glimpse of the art glassware made by the ancients.
Figure 1: Imitation Turquoise-colored Glass Olive Bottles, with Qianlong's annual production system, long neck, slender shoulders and neck, abdomen micro-drums, and outer rims on the feet, mouths and bottoms of similar size, evenly beautiful. Bottle body like olive, hence the name. Sky blue appears turquoise green.
Figure 2: The sky blue glass flask in the Qing Dynasty, the bottle straight mouth, long neck, bulging belly down, ring foot, whole body sky blue, opaque, no pigment decoration, smooth surface, smooth lines. Figure 3: Qing Dynasty white glass flask, mouth, long neck, round abdomen, ring foot, whole body is opaque white glass, no photo element decoration, showing a white jade-like moist texture, rim mouth engraved Qing Qianlong years Money.
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