Talking about the "Ink" colour of the four treasures of Wenfang

The impression given by ink seems a bit too simple, but it is an indispensable item in ancient writing. With this original material, the wonderful and artistic artistic conception of Chinese calligraphy and painting can be realized. The world of ink is not boring, but rich in meaning. As a consumable product, ink can be present as it is today. It is very precious.

Prior to the invention of artificial ink making, natural inks or semi-natural inks were generally used as writing materials. The prehistoric pottery ornamentation, the Shang and Zhou dynasty's oracle bones, bamboo slips, and sculptural paintings left traces of the original ink everywhere. According to records in the literature, ink was used in ancient ink pens (faces), ink ropes (for woodworking), and ink turtles (divination).

When did the artificial ink production begin and the historical data was not accurately recorded? According to legend, the first person who made ink was Xingyi in the Zhou Xuanwang period. Ming Luoxin's "Source" records: "Xing Yi for Mexico, History of the beginning of ink in the book". After this long journey, to the Han Dynasty, artificial ink products finally began to appear. This ink raw material was taken from pine smoke and was initially kneaded by hand. It was later molded, and the ink was solid. According to the Eastern Han Dynasty, "Han Guanyi" records: Shangshu orders, servants, nephews, and langs, Yue gave birth to a large ink, and Yu Xiao ink. “Yeyu is located in Qianyang County, Shaanxi Province, near Zhongnan Mountain. There are many mountain pines, and it is very famous for burning tobacco materials. From making smoke materials to final production, it must go through plastic.” There are many processes, such as agent and steaming, and there is a molding process. The engraving of ink mold is an important process and it is also an artistic creation process.

The first ink maker recorded in the history books is the Wei Sheng (Zhong Zhong Jiang) in the Three Kingdoms. He has the reputation of "Zhong Jiang Zhi Mo, a little like a lacquer." He is not only an ink-making expert but also a calligrapher.

With the development of the times, ink-making technology has been continuously improved. The Tang Dynasty also has an ink-making official. The most famous ink makers are the number of Yishui and Dingding brothers. They summed up their previous experiences and improved their predecessors' methods. They used antler glue and steamed them to make inks that are "rich in texture" and "shiny as paint". Yan's settled in Anhui from Nantang, and after the Southern Tang Dynasty, Li Yu was given the country name Li by Xizhimo. The ink they made was called "Li Mo," and it was said that "gold is easily available and Li Mo is hard to come by." Li Mo was later known as "Li Ting ink."

Most of the Ming Dynasty's ink-making industry was concentrated in the Minnan region, forming two schools in Ji County and Xiuning County. Luan County dispatched Cheng Junfang to create the “paint smoke” painting method. Fang Yulu created the “Nine Xuan Three Pole Ink” with “nothing ancient”. Wang Zhongshan of Xiuning County was the founder of “Collection Kam,” and in addition to being practical, ink became a craft with artistic appreciation value. By the Qing Dynasty, ink was more aesthetic in nature. Most of the designs and inscriptions were beautifully detailed, with artistic appreciation and collection value.

The shape of ink is generally square, rectangular, round, elliptical, and irregular. The ink mold is generally composed of six pieces of front, back, top, bottom, left, and right. A circular or an even-shaped ink film is only composed of four plates or two plates. Built-in ink, tighten the hammer and finished product. Knowledge is mostly on the side so that it can be easily replaced when the ink die is reused. The appearance of the ink is various and can be divided into natural ink, lacquer clothing ink, gilt ink, and lacquer ink.

species
The pine smoke ink is burned with pine branches, and is made of rubber and spices. The ink is thick and dull, and the water becomes easier.

Oil smoke is burned with oil (mainly tung oil, and sesame oil or lard, etc.), then added with rubber, musk, borneol, etc. The ink is black and shiny. Smoke ink is fine and light, and it is better to have no sound.

Use points
When you grind your ink, wash your eyes first.

Grasp patience with ink, grind ink needs to be hard, when grinding, it must be uniform and unbiased.

The grindstone must be shaded moderately, the thicker ones are pen lags, and the inflexible ones; the lighter ones are more permeable and lighter in color, and the words written are lacking in appearance.

The ink must be freshly ground every day. After grinding, it should be used immediately. The rubber coal should be removed every other day and should not be reused.

Ink selection method
What kind of ink is top grade? First, the texture is firm. The so-called "strength" refers to the compactness of the texture, and the fine particles that have been ground. Second, the color is dark and black, and the pan-violet light is the best, followed by pure black, followed by blue light. Third, the gum is moderate, too heavy sticky, too light is not strong.

Selecting ink is fine in texture, bright in color, and not heavy in glue. If the glue has impurities, it is not appropriate. Beginners write to save time and save time, may wish to change to use the finest ink, but the ink will also have to seep a little water to grind with a strip of ink to disperse the dregs. If you write a rice paper screen, you must grind ink. When you write, you can sway freely. When you write, you will not easily get ink. Pen ink is not available.

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